Realm of Darkness - The Elusive Depths of Mexico

Around Snowdonia

A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!

The Coast of Commerce

Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.

Cheddar

Pure tranquillity in rural Somerset, a world away from the war raging on the continent.

Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

Dartmouth, River Dart and Dartmoor

Whistlestop tour of Dartmouth in Devon, taking in the 17th century Butterwalk arcade and medieval castle.

Cavalcade of San Francisco

This Traveltalk series short celebrates San Francisco, past and present.

Cairo 'City of Contrast'

This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.

Borderland Blues

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

Migrant Mother

Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.

Czechoslovakia on Parade

This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.

ALTAR: Cruzando Fronteras, Building Bridges

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

Nomads

This nature documentary follows some of the world’s most charismatic animals as they travel to Mexico across the span of a year. Using access to some of the country’s most protected sights, the film explores the relationship between family members as they battle to survive. Mixing moments of intimacy with fast-paced action, the film captures the epic scope of Mexico’s wildlife while it seeks to explain one of the most important themes of our era: migration.

Takeda

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Thunder Over Mexico

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Muerte es Vida (Death is Life)

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?